Shooting a video as a performative series of events. A performance you can take home with you.

I am the kino-eye, I am the mechanical eye, I am the machine that shows you the world as only a machine can see it. From now on I will be liberated from immobility. I am in perpetual movement. I draw near to things, I move myself away from them, I enter into them, I travel toward the snout of a racing horse, I move through crowds at top speed, I percede soldiers on attack, I take off with airplanes, I flip over on my back, I fall down and stand back up as bodies fall down and stand back up.

Dziga Vertov Kinoki: Umsturz (1923)